Tag Archives: Jackie Lomax

Jackie Lomax on Apple

Jackie Lomax was playing in the Merseyside area while the Beatles were up and coming. He knew the band while Stuart Sutcliffe was playing bass. He signed with Brian Epstein’s management company NEMS, and was convinced by John Lennon to go solo.

After signing with Apple Publishing, George Harrison heard Lomax’s demos, and promised to record Lomax’s debut record when he returned from India.

Jackie Lomax writes good songs dripping in the tradition of American R&B with a smooth voice that could be pulled right out of the late ’50s South or is it Motor City?

Harrison’s production is a heavy-handed wall of sound layered and muddy.

Eleven of the twelve songs are Lomax originals, the other is Harrison’s “Sour Milk Sea,” and unsurprisingly is the highlight of the record. That’s not to say that Lomax’s compositions don’t stand out on their own, they most certainly do. “Sunset” and “Take My Word” specifically are fabulous songs that help to make this a fabulous record, and among Apple’s best.

Music Roundup

Come and Get It:
The Best of Apple Records

In 1968, The Beatles formed Apple Corps. Ltd., a new home for the records, and of the amazing and strange records of their contemporaries.

Recently released is Come And Get It: The Best of Apple Records a record that can only be described as mis-titled. This is definitely not the best of Apple, as it doesn’t feature The Beatles’ “Hey Jude” or Lennon’s “Mother.” Instead it could more aptly be titled “Assorted Single, and such.”

Though The Beatles, as a cohesive unit, do not grace the record, they are still in sight. The album features Lennon/McCartney compositions such as “Golden Slumbers/Carry That Weight”1, “Thingumybob”2, Lennon’s “Give Peace A Chance”3, “God Save Us”4, and more George Harrison songs than you can shake a stick at.

The Beatles don’t sit back comfortably only in the role of songwriter. The legendary band also often produce, or perform with their labelmates. The genres are never a pre-defined thing, going from Francophone hillbilly5 to shmaltz6, soul7, gospel8 and much more.

It’s pretty easy to list all the brilliant on this record, “Those Were The Days,” “Carolina In My Mind,” “Maybe Tomorrow,” “Sour Milk Sea,” “New Day,” “Come And Get It,” “Try Some, Buy Some,” “Ain’t That Cute,” “Govinda,” “Saturday Night Special,” and “Day After Day.”

There’s also a lot that can be described best as… interesting. The Lennon/McCartney9 composition “Thingumybob” would not sound out of place as the backing music for a Looney Tunes cartoon. There’s Brute Force’s comedy song “King of Fuh,” who apparently was “called the Fuh King;” Lennon must have chosen this one.

The only thing bad on the record is Hot Chocolate Band’s reggae cover of “Give Peace A Chance.”

While a lot of this appears on other newly remastered Apple discs, it does feature a lot of material only previously available on singles.

Grit
by KUMONgA

While this might only be a three-song demo, I feel I must give it some space on this here blog. KUMONgA is a new band featuring Dan Walters, who used to be in The Brown Hornets, a pretty damn good band. While The Brown Hornets were a lot more punk, KUMONgA is a bit more focused on soul rock; to the point where the opening track has definite Rolling Stones vibes, specifically “You Can’t Always Get What You Want.” The other two tracks continue on this theme, creating a rather cohesive and easily digestible three songs. I’m not sure if the title Grit is a reference to their dirty soul sound, or if it’s to display an affection towards the Liberal Party of Canada.

Looking forward to potential live KUMONgA shenanigans.

  1. Performed by Trash []
  2. Performed by The Black Dyke Mills Band []
  3. Performed by Hot Chocolate Band []
  4. Performed by Bill Elliot & The Elastic Oz Band, listeners will hear Lennon count in. []
  5. The Sundown Playboys []
  6. Mary Hopkin’s “Those Were The Days” []
  7. Jackie Lomax []
  8. Billy Preston []
  9. Really Paul. []