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  • Above, NPR inverview Stephin Merritt & Claudia Gonson.
  • Carrie Brownstein, will you marry me? Okay, we’ve never met, and it would be slightly awkward that my best friend has the same first name as me, and his wife has the same first name as you, but does that really matter? Your love of The Magnetic Fields is enough for me. Oh, and while we’re on the topic, your amazingness as part of Sleater-Kinney doesn’t hurt.
  • With a Gold in hand for Canada, 3000km away in the country’s largest city (and my city), the CN Tower goes gold.
  • Mechanical Forest Sound posts a new Gentleman Reg song. Thanks Joe!
  • Apparently Canadians handle their sticks with their left hands. Though I’ve never played hockey, I do hold a golf club and baseball bat left handed. (Yoinked from TIMMMMAAAAY)
  • A video illustrating Microsoft’s creative process. Best comment, “I will never think about MS Paint the same way.”
  • Who has a few million to spare? (via the article’s author… HI KATE!)
  • Happy Family Day!
  • CityTV has an article on Eric Warner of We Are Busy Bodies. (via Jen Polk, via The Meligrove Band)
  • Mechanical Forest Sound records the highlight of last night’s Wavelength 500… Barcelona Pavilion.
  • Steregum reviews The Magnetic Fields at BAM.
  • Jian Ghomeshi (did I spell that right?) got a lot of flack last night, and though I’m not a fan, he does put some good musicians on his show. See below…

OMG! OMG! OMG!

Walking into the Queen Elizabeth Theatre and hearing “Robot Ponies” is slightly strange. I got to the venue partway through Laura Barrett’s set, and the sound was damned good, though you could hear the nerves in Laura’s voice, and more so her calming herself before playing. She played well, and had Ajay Mehra, Randy Lee & Dana Snell playing with her (the American dates of the tour are without Lee & Snell). After her set, I did hear some audience members commenting on how lovely Barrett’s voice is. No matter what, it’ll always be strange to be at a Laura Barrett show where there’s more than a couple metres distance between us, but I’m sure she’ll be playing some tiny venues like Sneaky Dee’s soon.

Then I visited merch. They sold out of Realism on vinyl, wtf?!?! They have yet to receive the cast recording of Coraline, sigh. I ended up buying three pins.

Stephin. Stephin. Umm, wow.

Stephin tortured the audience by introducing the first song as “100,000 Fireflies” and then proceeded to play “Lindy-Lou” by The 6th. Well, I guess that answered my question, would he play non-Magnetic Fields songs, the answer is yes. The Magnetic Fields on this tour are Stephin Merritt (obviously, playing what I don’t think is a ukelele, but is a lute-like instrument), Shirley Simms (autoharp), Claudia Gonson (keys), John Woo (guitar) and Sam Davol (cello).

Gonson serenaded the audience with “Acoustic Guitar” from 69 Love Songs, through a horrible cold, and also duetted with Merritt on “Wi’ Nae Wee Bairn Ye’ll Me Beget,” also from 69 Love Songs. Simms sang the tale of a woman’s spiral into debauchery, “The Nun’s Litany” from Distortion, and most surprisingly, “Born On A Train” from The Charm Of The Highway Strip, one of my favourite songs, from one of my favourite albums. Usually sung by Merritt, but Simms’ mechanical twang seemed to be a perfect match to the country song.

I was completely taken aback when Merritt said “This one’s called ‘You And Me And The Moon’ from our albums Get Lost.” This is perhaps one of my favourite Magnetic Fields songs, and to hear them play an acoustic version of this gay-dance-pop anthem was perfection. A close second, though was “All The Umbrellas In London” from the same record.

They came out for a short encore, and played “I’m Tongue-Tied” from i; at which point Natalia turned to me, and said, “Finally a song I know.” I guess that’s what you get if you go to a show of a band who’s been playing for 20 years, and my iTunes library (which isn’t complete) has 350 songs. They closed with “100,000 Fireflies,” bringing the show full circle. Merritt sung this one, which on Distant Plastic Trees was sung by Susan Anway.

I could say a lot more, I could talk about how Merritt commenting that all the songs could be called “I Don’t Really Love You Anymore” was pure comic gold, or how instrumentally they were incredible.

I could also talk about the imperfections, like Merritt’s voice being pitchy, Gonson’s voice breaking, or the great amount of silence, but who cares? That would be nitpicking and it was one of the greatest nights in my memory of rock and roll… I’m old, and have been to a lot of shows.

Life is good. Thank you Magnetic Fields, thank you Laura Barrett.

I’m going to start by saying that I never like a Magnetic Fields record through and through when it’s first released. Actually I never like a Magnetic Fields record through and through. Their music seems to be cyclical in nature to me. I’ll listen to a record of theirs and love certain tracks, be indifferent to others, and hate others. Then a few months later, I love different ones, be indifferent to others, and hate others.

This can be traced back to their first song I heard, “The Desperate Things You Made Me Do.” I hated it. Really really hated it. Now I love it, unashamedly love it.

So I’ve listened to Realism, and I find there’s nothing that hugely stands out to me. There’s fun stuff, but none of it really feels like a Magnetic Fields record. There’s songs which feel like they could be from one of the musicals Stephin Merritt has scored, there are others which sound like they could be Gothic Archies songs.

There’s definitely some fun tracks on the record, “We Are Having A Hootenanny,” “Everything Is One Big Christmas Tree& “The Dada Polka” are among my favourites. We’ll see how it holds up to a few hundred listens. I wasn’t a huge fan of i (I still can’t stand “I Was Born”) and now it’s among my favourite of Merritt’s work. I also at first really loved much of Distortion, and now I’m indifferent to much of it (though “The Nun’s Litany” is still brilliant).

Are you tired of reading about my thoughts of the Magnetic Fields? Well, screw you, I’m going to see them tomorrow!

On Monday I’m going to see The Magnetic Fields at the Queen Elizabeth Theatre in the CNE. I’ve never been there… I’ve also never been as excited to see a band since I went to see Paul McCartney for the first time. I really have no idea what to expect. I’ve yet to hear Realism yet, as I’m waiting until I can get my hands on a copy (I don’t want to buy the CD, I’d rather just buy the vinyl with a CD, but I haven’t heard from Criminal Records yet that it’s arrived). I don’t know what kind of material they’ll perform… new stuff, lots from 69 Love Songs, will there be any of Stephin’s solo material, or Future Bible Heroes songs, maybe Gothic Archies songs, maybe 6ths songs. Mr. Merritt has perhaps the largest collection of musicians who have only been performing for 20 years.

In December, I set goals for myself, how many films to see this year, how many shows to attend, how many records to purchase, and how many books to read. This is the standings, as of the end of January…

Books I read (1/10 – 10%):
Animal Farm by George Orwell | Originally published 1945

Films I saw (11/52 – 21%):
It’s Complicated | Originally released 2009
Magicians | Originally released 2007
A Single Man | Originally released 2009
Fantastic Mr. Fox | Originally released 2009
After Elizabeth II (Documentary, from CBC Doc Zone)
Crazy Heart | Originally released 2009
Brüno | Originally released 2009
Dan In Real Life | Originally released 2009
Men Who Stare at Goats | Originally released 2009
It Happened One Night | Originally released 1934
A Boy And His Dog | Originally released 1975

Albums I bought (7/52 – 13%):
Gene Clark by Gene Clark (vinyl) | Originally released 1971
The New Despair by The Gothic Archies (CD EP) | Originally released 1997
The Wayward Bus by The Magnetic Fields (CD) | Originally released 1992
Distant Plastic Trees by The Magnetic Fields (CD) | Originally released 1991
Not So Much To Be Loved As To Love by Jonathan Richman (CD) | Originally released  2004
Heartland by Owen Pallett (vinyl)
Mal De Mer by Ben Gunning (CD)

Shows I attended (5/52 – 9%):
Julie Doiron (w/ Will Kidman) @ The Cobourg; January 9, 2010
Krupke, Skip Jensen & Ginger & Irene @ Rancho Relaxo; January 15, 2010
$100 (w/ The Lonesome Ace Stringband & Stripmall Ballads) @ The Horseshoe Tavern;  January 22, 2010
Ben Gunning (w/ Allie Hughes) @ The Rivoli; January 29, 2010
The Dress Whites @ Bread & Circus; January 30, 2010

Courtesy of Chromewaves, I’m now aware of a cover by Stephin Merritt of the Magnetic Fields singing “If I Were A Rich Man” from Fiddler on the Roof.

Stephin Merritt - If I Were A Rich Man

It appears the The Magnetic Fields have announced their 2010 tour, and they’ll be coming to Toronto!