On Friday night, I went to my first ever Hot Docs screening. Yes, I had never before been to Hot Docs after living in Toronto(ish) for 28 years. How long? 28 years.¹ I lost my Hot Docs virginity to Strange Powers, a film about Stephin Merritt and The Magnetic Fields. For those who don’t know who Stephin Merritt is, or who the Magnetic Fields are, you’re obviously new to my blog, and my life.² The Magnetic Fields are one of the most ambitious pop artists who are best known for their monumentous³ triple album project 69 Love Songs. Stephin Merritt is the band’s songwriter, leader, visionary, and in all honesty, it’s only member.⁴

The filmmakers said that they wanted to present a portrait of an artist, and I think they achieved this. They show Merritt’s humour, and his charm, while also show the immensely private man, who hides from fame. They touch on his notoriety as being a “difficult interview,” while also discuss his strange relationship with drummer/pianist/manager/fag hag Claudia Gonson.

The film was shot over ten years, which I assume dates it to just after the release of 69 Love Songs. It ends before the recording and release of their latest record, Realism. In those years between the band released a paltry two albums, i & Distortion. However, Merritt also released The Tragic Treasury by The Gothic Archies, I’m Lonely (And I Love It) and Eternal Youth by Future Bible Heroes. Merritt’s also provided the soundtrack to two films Pieces of April and Eban and Charley, and released a compilation of songs from the scores of three Chen Shi-Zheng musicals, The Orphan of Zhao, My Life as a Fairy Tale, and Peach Blossom Fan. Well, that’s a productive decade. Yet oddly, here’s a documentary in which the only time the words “Gothic Archies” is ever heard is never explained, and his musicals and soundtracks aren’t mentioned. During the film, they speak with Chris Ewen, he’s presented as Merritt’s ex-boyfriend⁵ but is given a caption as “Future Bible Heroes.” The film never explains what a Future Bible Hero is, nor does it attempt to. This is a huge amount of artistic output to completely ignore.

The film lacks a timeline or narrative, and so the audience doesn’t get a sense of the history of the band. Nor what happened over that ten years of filming. Other than recording, touring, and Stephin moving to LA. I think because of this, the audience must be initiated into the cult-of-Stephin beforehand to get much out of this film.

As someone who is, I can tell you, it shows an interesting portrayal of Merritt, but probably best to start with a listen to 69 Love Songs.

1. Oddly, this is also the amount of time in which George has been singing Beethoven. [↩]
2. Hi, I’m Adam. I’m a geek, who likes music and film. I listen to The Magnetic Fields. [↩]
3. Why isn’t this word in Apple’s dictionary? [↩]
4. Sorry John, Sam, & Claudia. [↩]
5. Something I had never known. [↩]

Some months ago, The Magnetic Fields released a new record called Realism. I briefly wrote about it, with the intention to go back and write something more in depth. We’ve now come to that point.

Song: You Must Be Out Of Your Mind
Sung by: Stephin Merritt & Claudia Gonson
Favourite lyric: “I no longer drink enough to think you’re witty.”

You think I’ll run, not walk to you
Why would I want to talk to you?
I want you crawling back to me
Down on your knees, yeah
Like an appendectomy
Sans anesthesia

If you think you can leave the past behind
You must be out of your mind
If you think you can simply press rewind
You must be out of your mind, son
You must be out of your mind

You want what you turned off turned on
You call it sunset, now it’s dawn
You can’t go round just saying stuff
Because it’s pretty
And I no longer drink enough
To think you’re witty…

You want to kindle that old flame
I don’t remember your real name
It must be something scandalous
Lurks in your shallows
If you need a Santa Claus
To buy your gallows…

Stephin and co. introduce the audience to this new Magnetic Fields record with “You Must Be Out Of Your Mind.” A love song, by Stephin Merritt, who would’ve thought? A bitter love song, by Stephin Merritt, SHOCKING! John Woo’s guitar work is fabulous, he creates this very textured layer to the song which accents it perfectly, while Sam Davol’s cello is the sonic thrust of the song. The song is layered heavily with instrumentation, that months later you’ll still be discovering.

This is as good as it gets, and with Stephin Merritt, that’s perfection.

Song: Interlude
Sung by: Shirley Simms
Favourite lyric: “He will fall in love, poor fellow.”

The moon-blue rays of magical light
Festoon her face this beautiful night
The moon her only lover
But soon even that will be over

So they climb high
In the violet sky
And they dance
And he’ll whisper
All his mysteries to her
As they dance

He will fall
In love,
Poor fellow
Just when all
Above
Turns yellow
And the dawn breaks his heart…

Someone loving the moon in a Stephin Merritt song?!?!? Let’s start by saying that Shirley Simms is the perfect vocalist to sing this song. I can’t imagine anyone better suited for it. Sadly, It’s not a very good song. It’s a bit too airy.

Song: We Are Having A Hootenanny
Sung by: Stephin, et al
Favourite lyric:  ”If’n”

We are havin’ a hootenanny now
We are havin’ a hootenanny now
Do-si-do down
To our hoedown
Our rootin’-tootin’ hootenanny
Havin’ a hootenanny now

Come and take our personality quiz
Come and take our personality quiz
Get the lowdown
On our hoedown
We’ll tell you where it is,
If’n you take our personality quiz

There’ll be somebody there who understands
There’ll be somebody there who understands
They won’t eat you
They will greet you
And gaze into your eyes and
There’ll be somebody there who understands

We are havin’ a hootenanny now…

So what can you say about this song? It’s bloody brilliant. From rising piano intro, to the drawn out Zs, to the accordion¹, to the fabulous double-tracked banjo. Okay, so this isn’t the greatest song in the world, but it’s a fun romp.

Song: I Don’t Know What To Say
Sung by: Stephin
Favourite lyric: “I could say I want you, that would be a bore. Maybe in a font you haven’t seen before.”

I don’t know what to say…

I could say I want you,
That would be a bore
Maybe in a font you
Haven’t seen before
I could say I’ll haunt you
Till your dying day
I could tease and taunt you,
But what would I say?

See, I don’t know what to say…

I could say I crave you
Still, you little brat
I could rant and rave, you
Know I can do that
I could say I gave you
Everything I have
I could say I’ll save you
You might think me mad

So I don’t know what to say…

I could try and lead you
Down the garden path
I could say I’ll feed you
You can do the math
I could say I need you
Offer you a ring
I’ll be guaranteed you
Don’t believe a thing…

I could try and shove you
Off the nearest cliff
I could say I lo…

I don’t know what to say about this song. There are bits and pieces of it that I really like, and bits that… not so much. I don’t like the sudden fade out at the end, I much prefer the sudden stop when performed live, but honestly, why bother? What’s the point of this. I can’t see Merritt fading out mid-verse without a specific reason, but I don’t know what it is. Do you? Is he singing about the endless cycle of torture in a relationship? I do enjoy Simms’ autoharp.

Song: The Dolls’ Tea Party
Sung by: Claudia Gonson
Favourite lyric: “The cakes are why everyone’s there. They’re not dietetic in any way.”

At the dolls’ tea part we fritter away
The long afternoon of a long summer day
With extended pinkies and pink cloisonné
Cups and saucers and pots and a Liberty tray
That’s why we take our tea
At the dolls’ tea party

At the dolls’ tea party we twitter along
We prattle and tattle on who’s done whom wrong
On who’s in, who’s out, and who’s the best at mah-jongg
Oh, and where to buy fabulous things for a song
That’s why we take our tea
At the dolls’ tea party

But the cakes!
Ah, the cakes are why
Everyone’s there
They’re not dietetic in any way
Dare
To try one and you’ll have a few pounds to spare
Try another one
What do you care?

At the dolls’ we’re all in our glittering best
There will be a test
On who’s best
And worst dressed
But we won’t have it said we’re fashion-obsessed
We’re just prettier ladies than most of the rest
That’s why we take our tea
At the dolls’ tea party.

Oddly enough, I think Merritt’s baritone would be better to suit this song. Gonson sings this very prim and proper, where as I think Merritt could sing this better with more earnest and emotional depth.

Song: Everything Is One Big Christmas Tree
Sung by: Stephin, and big burly German men
Favourite lyric: “Nein, vielleicht ist Allest nicht ein Traum. Ist Alles ein Albtraum? Nicht, nicht! Alles ist ein großer Tannenbaum. Rotierend im Weltraumgeschichte. La la la la la la. La la la la la la.”

Everything is one big Christmas tree
All got up with lights and candy
All the world is turning prettily
Everyone’s awaiting Sandy
Stop mumbling and cheer up
Put down the book, pick beer up

Why sit in your dark and lonely room?
Must your every word be sincere?
Here’s a vial of laughing gas perfume
See that people smile when you’re near
If they don’t like you screw them
Don’t leave your fortune to them

Nein, vielleicht ist Allest nicht ein Traum
Ist Alles ein Albtraum? Nicht, nicht!
Alles ist ein großer Tannenbaum
Rotierend im Weltraumgeschichte
La la la la la la
La la la la la la

Everything is one big Christmas tree
All got up with lights and candy
All the world is turning prettily
Everyone’s awaiting sandy
Where can that Sandy be?…

I’m not very fond of Christmas, you know, that whole, not being Christian thing. However, I dare anyone not to like this song. A group of what can only be big burly German men singing “la la la la la la” happily is one of life’s great joys. Where can that Sandy be?²

Song: Walk A Lonely Road
Sung by: Stephin with Claudia
Favourite lyric:

When I was a little boy
Way out in the the wood
I had neither friend nor toy
Never knew I could
When I found this lonely road
Off I walked for good
When I was a little boy
Way out in the wood

Walk a lonely road with me
I will walk with you
Half as lonely we will be
When we walk as two
If the road goes straight uphill
We’ll admire the view
Walk a lonely road with me
I will walk with you

When I was a little girl
On the lonesome plain
I had neither pal nor pearl
Mostly wind and rain
One day I set out along
A little winding lane
When I was a little girl
On the lonesome plain…

This song really does nothing for me. I do like Stephin’s voice in it, however.

Song: Always Already Gone
Sung by: Shirley
Favourite lyric: You took all the freedom you needed from me.

I tried hard to keep you
I needn’t have tried
It seems you’d decided
When did you decide?
So this is the last time
I cry in the dawn
It seems you were always
Always already gone

You never were happy
You had to be free
You took all the freedom
You needed from me
Then you and your freedom
Flew thither and yon
You’re free to be always
Always already gone

I couldn’t have dreamed you
But I might as well
You leave me with only
A story to tell
But at the beginning
Our story is done
Because you were always
Always already gone…

I think this song perfectly demonstrates my theory that Shirley Simms sings like a robot. Yet it works really well for this song. Much like many Stephin Merritt songs, it’s about the destruction of a relationship. There’s a lovely little banjo bit between the second and third verses. Overall, a really pretty, and depressing song. Not Merritt’s best work, but damn good. Wouldn’t be too out of place on 69 Love Songs.

Song: Seduced and Abandoned
Sung by: Stephin
Favourite lyric:  ”Seduced with a grin, I was taken all in; taken in sin and in shame.”

Seduced and abandoned and baby makes two,
Baby, abandoned by you
Seduced and abandoned and what can I do?
I think I might drink a few

Seduced with a grin,
I was taken all in
Taken in sin
And in shame
Seduced by a smile,
I walked down the aisle,
Then waited awhile;
No one came…

Abandoned to weep
I collapsed in a heap,
Dutifully sleep-
ing all day
Abandoned to die
I did nothing but cry
In my one-ply
Negligee…

Yes, I think I might drink a few
And maybe the baby will too.

This seems to be part two of “The Night You Can’t Remember” from 69 Love Songs. The tale of a woman, left pregnant and alone by her lover. I’ve never heard of thin negligee being referred to as “one-ply” but I do like that. It’s a very visual adjective. This is probably my favourite song on the album. I can listen to it over and over again. Sonically, it reminds me of “In An Operetta” from i, but I feel it’s lyrically superior. Maybe it’s the harpsichord.

Song: Better Things
Sung by: Stephin
Favourite lyric: “The wolfboy is adorable.”

On winter nights the mermaid sings,
“I was made for better things
Better things, dearie,
Better things”

In early spring the ghost princess
Goes haunting in her pretty dress
Pretty dress, your majesty,
Pretty dress

And I have heard
The singing of real birds
Not those absurd
Birds that simply everybody’s heard
Real birds

In summer when the moon is full
The wolfboy is adorable
Adorable, you’re
Adorable

I have observed
The winging of real birds
Not those reserved
Birds that simply everyone’s observed
Real birds

This is really pretty, and heavy on autoharp. Not his greatest lyrical achievement, but an enjoyable song.

Song: Painted Flower
Sung by: Shirley
Favourite lyric: “A frozen bloom left alone in some forgotten room.”

I’m just a painted flower on silk brocade
Left in the sun I will slowly fade
Fade to nothing like I’d never been made
Like I’d never been made

I’m just a painted flower, a frozen bloom
Left alone in some forgotten room
A fly in amber, I pose in my tomb
I pose in my tomb

I’m only drops of paint in a silver frame
Without an aim and without a name
Gathering dust, every day just the same
Every day just the same.

I like this song, quite a bit. A rather bleak and depressing image. This could be lifted from one of the musicals Merritt has written the music for.

Song: The Dada Polka
Sung by: Stephin
Favourite lyric: “Gyrate like a gyroscope, collide like a kaleidoscope.”

People of Earth, when you dance
Dance the Dada Polka
Life is only a dream
When in the mood for romance
Dance the Dada Polka
Be as cute as you seem

Gyrate like a gyroscope,
Collide like a kaleidoscope
Freeze!
Do something-anything-
Do something, please

People of Earth, don’t just stand
There, the Dada Polka
Is as fun as it sounds
Move hips and hands when the band
Plays the Dada Polka
You may lose a few pounds

Gyrate like a gyroscope,
Collide like a kaleidoscope
Change!
Do something-anything-
Do something strange

People of Mars, you too must
Do the Dada Polka
It’s the meaning of life
Fill any partner with lust?
Do the Dada Polka
Soon there’ll be a new wife

Gyrate like a gyroscope,
Collide like a kaleidoscope, do
Do something-anything-
Do something blue
Do something-anything-
Do something a little out of
character, it won’t kill you
Do something-anything-
Do something true.

How can you not love this addictively fun song? It’s got a flavour of ’50s rock and roll, while still having Merritt’s signature sound.

Song: From A Sinking Boat
Sung by: Stephin
Favourite lyric: the entire song.

In the middle of the night, 
With a sickening sound 
This little boat 
Ran aground 
The mast is twisted, the hull is breached 
One high tide and it’ll be beached 

If I could walk, I’d walk away 
But I haven’t slept since yesterday 
The ink is sinking, the page is blurred 
And I can’t read a single word 
But know that I love you, 
Know that I wrote 
My last words to you 
From a sinking boat.

Not the most exciting song, you might even call it boring. Musically, it’s on one short loop, but lyrically, Merritt tells a story in a few short lines.

1. Played by Daniel Handler… aka LEMONY SNICKET! OMG! [↩]
2. Psst, Stephin, Santa Claus is fictional; he’s not going to come. [↩]

I recently reconnected with an old friend, from back in my high school days. We never went to school together, after all, she was, and still is far off in a foreign country. So I made Beth this mix, but I didn’t know what I might have sent her all those years ago, so I decided to limit myself to nothing older than 2000. I also didn’t know what she had been listening to since then, so I decided to limit the selection to Canadian music.

“The Indie Queens Are Waiting” by Dan Mangan

• This is my favourite Dan Mangan song, and I’ve been on a bit of a kick of listening to him endlessly.

“Hibernation Song” by Whale Tooth

• This is not just my favourite Whale Tooth song, but everyone’s favourite Whale Tooth song. They’re a lot of fun, but this song specifically is addictively catchy.

“Oh, Alberta” by Elliott Brood

• If you’re going to make a mix of mostly Canadian music, how can you ignore the most Canadian song ever written. “Ontario, that’s where I’m from.”

“Fourteen Hour Day” by $100

• This is such a tragic tale of loss and heartache.

“The Ballad of Poor John Henry” by Cuff The Duke

• Number two in the Cuff The Duke’s “Ballad of…” series, and definitely my favourite.

“Nowhere With You” by The Joel Plaskett Emergency

• This song is just addictive and fun. I often forget about the Make A Little Noise EP, so I figured this was a good way to give it some love.

“Morning Dove” by Greg Keelor

• My favourite song from Keelor’s depressing, but beautiful Seven Songs for Jim album.

“The Nun’s Litany” by The Magnetic Fields

• How can you not love a song with the lyric “I want to be a dominatrix, which isn’t like me, but I can dream. Learn S&M and all those gay tricks, and men would pay me to make them scream.” FYI, on the album Shirley sings the song, but in the video Stephin sings it. He did after all write it.

“The Gambler and His Bride” by Daniel, Fred & Julie

• I never noticed how long this song was until Beth, the recipient of this playlist pointed out how bloody long it actually is. It’s a great song, DF&J played it both times I saw them live recently.

“Many Lives -> 49mp” by Final Fantasy

• The violin is so pretty.

“Jumpers” by Sleater-Kinney

• Not many better songs about killing yourself. “My falling shape will draw a line between the blue of sea and sky; I’m not a bird, I’m not a plane.”

“Sunndal Song” by The Apples In Stereo

• Easy to forget that Hilarie Sidney was in The Apples In Stereo, but I think she added a much needed secondary voice to Robert Schneider’s.

“Step Off The Map and Float” by Library Voices

• We’re all just pinpricks on a paper continent.

“Two Girls From Montreal” by The Bicycles

• The first Bicycles song I got stuck in my head. After seeing them live for the first time (years before their first album was released), I left the venue singing this song.

So, yes, there are one item in there by an international artist, The Magnetic Fields, but not enough people know Stephin Merritt, and that’s just a sin.

A few nights ago, I saw my friend Emily, and somehow my enjoyment from making mix tapes/discs/playlists¹ came up, and she asked me to make one for her, so this is what I came up with.

1. “Tina’s Glorious Comeback” by Dan Mangan
   • Dan Mangan started the previous one off so well, why not carry on. This one is another that I’ll happen to listen to days ago, and still be singing it. My coworkers must think I’m insane.
2. “I’ll Have To Dance With Cassie” by God Help The Girl
   • My favourite God Help The Girl song, and I think Emily would understand the thoughts behind this one.
3. “Cop Song” by Entire Cities
   • One day I was walking down the street listening to this song, and a cop was slowing following me in their car.
4. “Snowsuit Sound” by Sloan
   • Though I’ve given up my love of Sloan, I still understand that they used to be awesome, and this is one of the songs which can perfectly capture it.
5. “Yelverton Hill” by The Inbreds
   • “A ring is an awful thing…”
6. “Great Lakes” by Valery Gore
   • The last mix had Valery’s doppelgänger, so this one should include the original.
7. “Seduced And Abandoned” by The Magnetic Fields
   • This is the tale of an abandoned woman, left without her lover, but with a baby. It’s not the first time that Merritt has told this story, but I think it’s the best rendition of the tale. See: “The Night You Can’t Remember“
8. “Highschool” by The Flashing Lights
   • This power pop anthem is as good as it gets.
9. “Girlfriend” by Eric’s Trip
   • Grunge!
10. “Don’t Wannabe / Like By You” by Julie Doiron
    • Hehe, I put Julie Doiron right after Eric’s Trip! This is the song women sing when I get a crush on them.
11. “Glitter” by The Superfantastics
    • This two piece is just sugary fun.
12. “Your Island” by Young Rival
    • I like Young Rival, I think Emily would dig these Hamiltononians.
13. “Scott Pilgrim” by Plumtree
    • With the new Scott Pilgrim film coming out soon, this song is a perfect piece.
14. “We Are Being Reduced” by Thrush Hermit
    • My lord, this song is stunning.

1. Any music nerd has this love. [↩]

In December, I set goals for myself, how many films to see this year, how many shows to attend, how many records to purchase, and how many books to read. This is the standings, as of the end of February…

Books I read (2/10 – 20%):
Heaven Is Small by Emily Schultz | Originally published 2009

Films I saw (19/52 – 36.5%):
Whip It | Originally released 2009
24 Hours On Craigslist | Originally released 2005
The Princess And The Frog | Originally released 2009
The Secret of Kells | Originally released 2009
An Education |  Originally released 2009
Invictus | Originally released 2009
The Blind Side | Originally released 2009
The Hurt Locker | Originally released 2009

Albums I bought (22/52 – 42.3%):
Next Year In Zion by Herman Düne (vinyl) | Originally released 2008
Realism by The Magnetic Fields (CD + vinyl)
The Beatles Stereo Box Set | Originally released 2009

• Please Please Me by The Beatles | Originally released 1963
• With The Beatles by The Beatles | Originally released 1963
• A Hard Day’s Night by The Beatles | Originally released 1964
• Beatles For Sale by The Beatles | Originally released 1964
• Help! by The Beatles | Originally released 1965
• Rubber Soul by The Beatles | Originally released 1965
• Revolver by The Beatles | Originally released 1966
• Sgt. Pepper’s Lonely Hearts Club Band by The Beatles | Originally released 1967
• Magical Mystery Tour by The Beatles | Originally released 1968
• The Beatles by The Beatles | Originally released 1968
• Yellow Submarine by The Beatles | Originally released 1969
• Let It Be by The Beatles | Originally released 1970
• Abbey Road by The Beatles | Originally released 1969
• Past Masters by The Beatles | Originally released 1988

Shows I attended (7/52 – 13.5%):
The Magnetic Fields (w/ Laura Barrett) @ Queen Elizabeth II Theatre; February 8, 2010
The Hidden Cameras, Owen Pallett, Thomas, Kids On TV, The Barcelona Pavilion, Mean Red Spiders, Neck a.k.a. Christiana, Boars @ The Garrison; February 14, 2010

• Above, NPR inverview Stephin Merritt & Claudia Gonson.
• Carrie Brownstein, will you marry me? Okay, we’ve never met, and it would be slightly awkward that my best friend has the same first name as me, and his wife has the same first name as you, but does that really matter? Your love of The Magnetic Fields is enough for me. Oh, and while we’re on the topic, your amazingness as part of Sleater-Kinney doesn’t hurt.
• With a Gold in hand for Canada, 3000km away in the country’s largest city (and my city), the CN Tower goes gold.
• Mechanical Forest Sound posts a new Gentleman Reg song. Thanks Joe!
• Apparently Canadians handle their sticks with their left hands. Though I’ve never played hockey, I do hold a golf club and baseball bat left handed. (Yoinked from TIMMMMAAAAY)
• A video illustrating Microsoft’s creative process. Best comment, “I will never think about MS Paint the same way.”
• Who has a few million to spare? (via the article’s author… HI KATE!)

• Happy Family Day!
• CityTV has an article on Eric Warner of We Are Busy Bodies. (via Jen Polk, via The Meligrove Band)
• Mechanical Forest Sound records the highlight of last night’s Wavelength 500… Barcelona Pavilion.
• Steregum reviews The Magnetic Fields at BAM.
• Jian Ghomeshi (did I spell that right?) got a lot of flack last night, and though I’m not a fan, he does put some good musicians on his show. See below…

• The Oatmeal presents, 10 Types of Crappy Interviewees
• Soup delivered to your door (in Toronto),  but the soup doesn’t render properly in Safari, or maybe the site doesn’t. (via Terri)
• Facebook adopts Jabber for chat protocol, allowing me to ditch the buggy as hell Facebook chat function in Adium.
• Frank Chromewaves looks at Toronto’s Magnetic Fields show. Yes I’m calling him Frank Chromewaves!
• Buck 65 & Valery Gore make a song. If you like Buck 65, you might dig it. If you never understood the appeal of Buck 65, but a fan of Valery, you’ll shrug your shoulders and go “meh.” (via Valery Gore)
• Rick Mercer explains How Parliament Works. Hint: it doesn’t.
• I’ve been saying this since I was in elementary school! Why does it take Ryan North to say it before people stop being stupid.

Courtesy of The Daily What

OMG! OMG! OMG!

Walking into the Queen Elizabeth Theatre and hearing “Robot Ponies” is slightly strange. I got to the venue partway through Laura Barrett’s set, and the sound was damned good, though you could hear the nerves in Laura’s voice, and more so her calming herself before playing. She played well, and had Ajay Mehra, Randy Lee & Dana Snell playing with her (the American dates of the tour are without Lee & Snell). After her set, I did hear some audience members commenting on how lovely Barrett’s voice is. No matter what, it’ll always be strange to be at a Laura Barrett show where there’s more than a couple metres distance between us, but I’m sure she’ll be playing some tiny venues like Sneaky Dee’s soon.

Then I visited merch. They sold out of Realism on vinyl, wtf?!?! They have yet to receive the cast recording of Coraline, sigh. I ended up buying three pins.

Stephin. Stephin. Umm, wow.

Stephin tortured the audience by introducing the first song as “100,000 Fireflies” and then proceeded to play “Lindy-Lou” by The 6th. Well, I guess that answered my question, would he play non-Magnetic Fields songs, the answer is yes. The Magnetic Fields on this tour are Stephin Merritt (obviously, playing what I don’t think is a ukelele, but is a lute-like instrument), Shirley Simms (autoharp), Claudia Gonson (keys), John Woo (guitar) and Sam Davol (cello).

Gonson serenaded the audience with “Acoustic Guitar” from 69 Love Songs, through a horrible cold, and also duetted with Merritt on “Wi’ Nae Wee Bairn Ye’ll Me Beget,” also from 69 Love Songs. Simms sang the tale of a woman’s spiral into debauchery, “The Nun’s Litany” from Distortion, and most surprisingly, “Born On A Train” from The Charm Of The Highway Strip, one of my favourite songs, from one of my favourite albums. Usually sung by Merritt, but Simms’ mechanical twang seemed to be a perfect match to the country song.

I was completely taken aback when Merritt said “This one’s called ‘You And Me And The Moon’ from our albums Get Lost.” This is perhaps one of my favourite Magnetic Fields songs, and to hear them play an acoustic version of this gay-dance-pop anthem was perfection. A close second, though was “All The Umbrellas In London” from the same record.

They came out for a short encore, and played “I’m Tongue-Tied” from i; at which point Natalia turned to me, and said, “Finally a song I know.” I guess that’s what you get if you go to a show of a band who’s been playing for 20 years, and my iTunes library (which isn’t complete) has 350 songs. They closed with “100,000 Fireflies,” bringing the show full circle. Merritt sung this one, which on Distant Plastic Trees was sung by Susan Anway.

I could say a lot more, I could talk about how Merritt commenting that all the songs could be called “I Don’t Really Love You Anymore” was pure comic gold, or how instrumentally they were incredible.

I could also talk about the imperfections, like Merritt’s voice being pitchy, Gonson’s voice breaking, or the great amount of silence, but who cares? That would be nitpicking and it was one of the greatest nights in my memory of rock and roll… I’m old, and have been to a lot of shows.

Life is good. Thank you Magnetic Fields, thank you Laura Barrett.

I’m going to start by saying that I never like a Magnetic Fields record through and through when it’s first released. Actually I never like a Magnetic Fields record through and through. Their music seems to be cyclical in nature to me. I’ll listen to a record of theirs and love certain tracks, be indifferent to others, and hate others. Then a few months later, I love different ones, be indifferent to others, and hate others.

This can be traced back to their first song I heard, “The Desperate Things You Made Me Do.” I hated it. Really really hated it. Now I love it, unashamedly love it.

So I’ve listened to Realism, and I find there’s nothing that hugely stands out to me. There’s fun stuff, but none of it really feels like a Magnetic Fields record. There’s songs which feel like they could be from one of the musicals Stephin Merritt has scored, there are others which sound like they could be Gothic Archies songs.

There’s definitely some fun tracks on the record, “We Are Having A Hootenanny,” “Everything Is One Big Christmas Tree” & “The Dada Polka” are among my favourites. We’ll see how it holds up to a few hundred listens. I wasn’t a huge fan of i (I still can’t stand “I Was Born”) and now it’s among my favourite of Merritt’s work. I also at first really loved much of Distortion, and now I’m indifferent to much of it (though “The Nun’s Litany” is still brilliant).

Are you tired of reading about my thoughts of the Magnetic Fields? Well, screw you, I’m going to see them tomorrow!

On Monday I’m going to see The Magnetic Fields at the Queen Elizabeth Theatre in the CNE. I’ve never been there… I’ve also never been as excited to see a band since I went to see Paul McCartney for the first time. I really have no idea what to expect. I’ve yet to hear Realism yet, as I’m waiting until I can get my hands on a copy (I don’t want to buy the CD, I’d rather just buy the vinyl with a CD, but I haven’t heard from Criminal Records yet that it’s arrived). I don’t know what kind of material they’ll perform… new stuff, lots from 69 Love Songs, will there be any of Stephin’s solo material, or Future Bible Heroes songs, maybe Gothic Archies songs, maybe 6ths songs. Mr. Merritt has perhaps the largest collection of musicians who have only been performing for 20 years.